Monday, June 24, 2013

 "You didn't see me, I was falling apart. I was a white girl in a crowd of white girls in a park. You didn't see me, I was falling apart. I was a television version of a person with a broken heart. You didn't see me, I was falling apart. I was a white girl in a crowd of white girls in a park. You didn't see me, I was falling apart. I was a television version of a person with a broken heart." ~the national

I can't believe I haven't written about meeting The National yet (and seeing them in concert from swanky box seats that I won). I've been busy, and this blog post seemed like a massive undertaking that I wasn't ready to handle. But it has to be written (even if it's just to remind myself that it happened, because sometimes I think I dreamed it up), so here goes. Get ready; this is a long one, and it's mostly for myself.

 (With Matt Berninger, lead singer of The National and my favorite musician)

I won a radio contest for a Meet-and-Greet with my absolute favorite band in the world, The National (included in the prize were box seats to their concert at the Barclays Center, but I already had two pairs of tickets to the concert before I won, so the tickets were just an added bonus to the Meet-and-Greet for me). I've seen the band live 16 times, I've memorized all their songs, and I cannot put into words how much their music means to me. My main goal was to remain sane when meeting them. I arrived in the suite before the show, and it was stocked with lots of yummy food and drinks. There were a few other contest winners there. After about half an hour, the band walked in. It was surreal; they were just some normal, friendly-looking guys walking into a room, and it seemed like such an everyday occurrence, yet it was also like I was watching their entrance from outside my body and completely freaking out because I knew these seemingly average guys were geniuses. They extended their hands in greeting; Scott approached me first and seemed surprised that I knew his name when I said, "Hi Scott, I'm Claire." I shook all of their hands, and they explored the suite; Matt poured himself a vodka and Red Bull. I started out talking to Scott and Bryce (I'm 99% sure it was Bryce; he and Aaron are identical twins, and although I can usually tell them apart, my brain is a bit fuzzy about that night). People mingled, and Matt (the lead singer) ended up starting a conversation with me. I miraculously managed to keep it together and maintain a conversation with him. I loved listening to him. He is funny, kind, humble, self-deprecating, and charming. I talked to him about the recent PS1 exhibition "A Lot of Sorrow" (which I attended and blogged about already) and told him that I was surprised to see the song "Sorrow" on recent setlists; I thought they'd be sick of it after playing it for six hours straight. He said he thought it was on their setlist for that night's show (Aaron writes the setlists so Matt wasn't sure at the time; they did end up playing it that night), and he said that the PS1 experience actually helped the band better understand the song. I asked if the band would consider doing another run of shows at the Beacon Theatre (they did six shows in a row there in December 2011), and he said possibly, although it was a tiring experience. I told him I liked that run because they varied the setlist each night, and he seemed surprised, like he didn't remember. He said on a tour usually 90% of the setlist stays the same (which I knew), but I told him they did a handful of rarities spread out over those six shows that I was thrilled to hear, like "Santa Clara." He seemed happy to hear that. We talked more about "A Lot of Sorrow" and about the Barclays Center and Brooklyn. There was more I wanted to talk to him about (like his brother's fabulous documentary Mistaken for Strangers), but the band had to go get ready for the show, so we took some photos and they left. I actually had a long conversation with my favorite musician. I wasn't distracted enough by those piercing blue eyes to be struck dumb; I actually spoke to him and listened carefully to him, soaking in everything he said. It's one of those occurrences that you dream about but never expect to actually happen, so I still can't believe it was real. It made the concert even more special, because I kept thinking about how those guys who were onstage captivating 18,000 fans had just been in the same room as me, talking to me.
(With the band and the other winners)

The concert was great. Given what I know about their setlists (I knew they weren't going to bring out some crazy, rare song like "The Thrilling of Claire"), I was thrilled with that night's setlist (and I'm proud to say I predicted the encore exactly). They played my favorite songs from the new album ("Graceless," "I Should Live in Salt," "Pink Rabbits," "Humiliation") and a good mix of older songs. I love hearing my favorites "Apartment Story" and "About Today," and "Mr. November," "Abel," "Squalor Victoria" and "Afraid of Everyone" are great arena songs. They somehow made the concert seem simultaneously epic and intimate. There are many glowing reviews (from professionals) about the concert which are interesting; Vulture's includes interviews and presents a nice look at the band's progress, Consequence of Sound's emphasizes the specialness of the hometown show (the band is from Brooklyn), The Village Voice's praises the ability of this indie band to captivate a large arena, The New York Post's marvels at the band's ability to achieve both power and intimacy, and Rolling Stone's raves about the band's triumph in doing what they do best and constructing a finely-tuned set that perfectly displayed their musicality. In some ways it's difficult to watch my favorite band become so popular that they end up headlining arena shows, because it makes it less likely for me to be able to see them in smaller venues, but I'm happy for their success. I honestly think Matt Berninger is the best lyricist currently writing music, so more people should be listening to him.

The show was broadcast on the radio, so here are the songs for your listening pleasure* (it's on two playlists because it wouldn't all fit in one; the second one is the encore). It's obviously great quality because it's from a radio broadcast, and it was a fabulous show, so you should listen:



Encore:



I haven't even written a review of the new album (Trouble Will Find Me) yet. Soon?

*Audio kindly ripped by solace and tracked by mgico at the forums.

Saturday, June 08, 2013

 This is a theater post. I've seen four shows in the past week that I need to write about, but that will have to wait. For now, this is more important:

The Tony Awards are tomorrow! I love the Tony Awards, mostly because of the performances. I don't take the awards too seriously anymore because I believe the most deserving people often don't win just because of stupid factors, like celebrity (Tom Hanks will probably win just because he's Tom Hanks, and that really frustrates me because Tracy Letts was absolutely brilliant in Who's Afraid of Virginia Woolf?). Anyway, I'll still enjoy watching the telecast. Here are my predictions (who I think will win, not whom I want to win):

Best Play 
Vanya and Sonia and Masha and Spike
Best Musical 
Matilda The Musical
Best Revival of a Play 
Who's Afraid of Virginia Woolf?
Best Revival of a Musical 
Pippin
Best Book of a Musical 
Matilda The Musical - Dennis Kelly
Best Original Score (Music and/or Lyrics) 
Kinky Boots - Music and Lyrics: Cyndi Lauper
Best Performance by an Actor in a Leading Role in a Play 
Tom Hanks - Lucky Guy
Best Performance by an Actress in a Leading Role in a Play 
Cicely Tyson - The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Musical 
Billy Porter - Kinky Boots
Best Performance by an Actress in a Leading Role in a Musical 
Patina Miller - Pippin
Best Performance by an Actor in a Featured Role in a Play 
Danny Burstein - Golden Boy
Best Performance by an Actress in a Featured Role in a Play 
Judith Light - The Assembled Parties
Best Performance by an Actor in a Featured Role in a Musical 
Terrence Mann - Pippin
Best Performance by an Actress in a Featured Role in a Musical 
Andrea Martin - Pippin
Best Direction of a Play 
Nicholas Martin - Vanya and Sonia and Masha and Spike
Best Direction of a Musical 
Diane Paulus - Pippin
Best Choreography 
Chet Walker - Pippin
Best Orchestrations 
Ethan Popp and Bryan Crook - Motown the Musical
Best Scenic Design of a Play 
John Lee Beatty - The Nance
Best Scenic Design of a Musical 
Rob Howell- Matilda The Musical
Best Costume Design of a Play 
Albert Wolsky - The Heiress
Best Costume Design of a Musical 
William Ivey Long - Rodgers + Hammerstein's Cinderella
Best Lighting Design of a Play 
Donald Holder - Golden Boy
Best Lighting Design of a Musical 
Hugh Vanstone - Matilda The Musical
Best Sound Design of a Play 
Peter John Still and Marc Salzberg- Golden Boy
Best Sound Design of a Musical 
Johnathan Deans and Garth Helm - Pippin

Monday, May 27, 2013

"In New York he is laid in a glass covered case. He pretends he is dead, people crowd 'round to see him. But each night she comes 'round, and the two wander down the halls of the tomb that she calls a museum. Often he stops to rest, then less and less, then it's her that looks tired, staying up asking questions. He learns how to read from the papers that she is writing about him, and he makes corrections. It's his face on her book, more come to look. Families from Iowa, Upper West-Siders. Then one day it's too much, he decides to get up, and as chaos ensues he walks outside to find her. She is using a cane, and her face looks too pale. But she's happy to see him, as they walk he supports her. She asks, "Are you cursed?" But his answer is obscured in a sandstorm of flashbulbs and rowdy reporters." ~josh ritter


I've posted a lot about The National lately, and there's more to come (including my thoughts on their newest album and a concert post after I see them next week), but for now I'm taking a break to write about a concert I went to last weekend. I've been so busy that I haven't had time to track and upload audio/video until today. It's a lot of work.

On May 18th, I went to see Josh Ritter and The Felice Brothers. I got a spot in the front row, which is always nice, especially for a shortie like me. I mostly went to see The Felice Brothers, who were the opening act. I think I've posted about them a lot; they're one of my favorite bands (in my top 5 at least). They're a lot of fun live, and this show was no exception. I always like to hear new songs, so a highlight for me was "Butch Cassidy." It was also nice to hear a couple of my faves, "Frankie's Gun" and "Saint Stephen's End." Here's my audio:



and some photos:


The coolest about seeing The Felice Brothers this time was meeting them after the show. They were hanging out at the merch booth, so I went and talked to them, and they were SO incredibly nice. They signed a CD for me (writing, Thanks Claire, we love you) and were perfectly happy to stand there and chat. I took a photo with Ian Felice (the lead singer). They were just so kind and friendly, and it made me really, really happy.

Josh Ritter was the headliner of the concert, and his set was one of the most uplifting, feel-good sets I've ever heard. He had the biggest smile plastered on his face throughout the show; he seemed so grateful and happy to be there, and he made the most of the experience. He played a lot of songs from his newest album (which is awesome) as well as some old favorites. I was most excited to hear "The Curse" (quoted in the opener of this post; I love the story it tells), "Change of Time," and "Joy to You Baby." Do yourself a favor and listen to my audio or video. I recommend starting with "The Curse," which starts my favorite part of the show. After that he does the two best songs from the new album (in my opinion), "Joy to You Baby" and "New Lover."



I took video of both shows, but my video of The Felice Brothers is really shaky because I can't help but dance to their music, so I was moving around a lot. I haven't uploaded those videos yet, but I might later, so check back here. I controlled myself a bit more during Josh Ritter. I uploaded my favorite videos from his set; I could only limit myself to eight (I loved the whole show). If anyone reading this is dying for a video of another song (or of The Felice Brothers), let me know. Here's the playlist (definitely check out "The Curse," "Joy to You Baby," and "Change of Time"):

Overall it was a great concert, and I was thrilled to be there. 

Wednesday, May 15, 2013

"And wouldn't you  rather be a left-handed flea, a crab on a slab at the bottom of the sea, a newt on the root of a banyan tree, or a fig on a twig in Galilee, than a man who never learns how to be free?" ~stephen schwartz, pippin

Last weekend I went to see the Broadway musical Pippin. Oh my goodness, it was absolutely wonderful. It just won more Outer Critics Circle Awards than any other show, and I'm betting it will win a bunch of Tony Awards as well. I really hope Patina Miller wins Best Actress in a Musical. She's playing the Leading Player (the role played by Ben Vereen in the original production), and she's giving a great performance. You can see her sharp edges behind the brilliant smile she displays. Andrea Martin should also win a Tony (for Best Supporting Actress in a Musical); she brings down the house in her one big number. The production's acrobatics are astounding, and it's a well-done show all around. The cast recently performed "Simple Joys" on The Late Show with David Letterman, and although it's an incredibly scaled-down performance that doesn't showcase what they really can do (and it's not the song I would have chosen), it's still fun to watch. I really hope they do "Magic to Do" at the Tony Awards.

Wednesday, May 08, 2013

Last weekend I was able to attend a really special event that maybe not everyone would have enjoyed but which meant a lot to me. My favorite band, The National, played their song "Sorrow" for six hours straight at MoMA's PS1. They played the song 105 times. It's hard to describe the experience, but this article does a really good job and I recommend reading the whole article. Here's just an excerpt:
Repetition is a commonly used motif in both art and music, but how many hours of despondent wallowing can one audience handle from one of the world’s most gloriously depressing bands?
“Sorrow” is a dirge of a tune, fueled by an almost break-beat-like drum line, a brass section and Matt Berninger’s purposeful, harrowing baritone. A track off their 2009 album High Violet, it begins in a typically National-istic manner: Sorrow found me when I was young / Sorrow waited / Sorrow won.

....It wasn’t until Berninger began to cry, choking on his words in the last ten minutes of the performance, that the well of emotion seemed to finally overflow, and we realized it was our turn to take over. An incredibly passionate a cappella delivery from the crowd ensued, as naturally, we had all 142 words etched in our brains’ gray matter by that time. There’s a shared experience in trauma. We were in this together. And perhaps that’s why, once the band left the stage and Kjartansson thanked us all for enduring it, we screamed for an encore. After a few minutes, the band stumbled back on. Glass of wine in hand and with a weary yet devious smile, Berninger leant into the microphone. We held our collective breath.
“This one’s called ‘Sorrow,’” he said.
 I recorded a good chunk of the performance (I made sure I got the last four hours), and here's the version where Matt broke down in the middle of the song (it's version #100):

Here's the encore (version #105):



I love unique stuff like this, especially when my favorite band is involved.