"Tell me everything that happened, tell me everything you saw. They had lights inside their eyes, they had lights inside their eyes." ~stars

I first heard that song on Chuck, and I was reminded of it today because I saw the movie Like Crazy (which I enjoyed, by the way) and this song played during the credits.

I had a busy a Broadway week. I saw a show on Thursday, two on Saturday, and one Sunday. So I've been busy. Here are my reviews.

Venus in Fur
WOW, Nina Arianda is spectacular. Can I just talk about her for a minute? She made her Broadway debut last season in Born Yesterday and stole the show (from some pretty talented veteran actors onstage with her). She was nominated for a Tony and lost to Frances McDormand, but I thought she deserved to win. In her second Broadway performance, she is a complete tour-de-force. Venus in Fur is about two hours long with no intermission and features only two actors (Ms. Arianda and Hugh Dancy, whom I'll get to in a minute), who are both onstage the entire time, and I couldn't take my eyes off her for those two hours. She is currently giving one of the best performances I've ever seen (and I've seen a LOT). Seriously, this is one of those performances that are impossible to forget. She plays an actress, and she switches between her role and the role her character is playing so effortlessly and beautifully that it's a revelation to watch. The play flies by because she just grabs you from her first entrance and doesn't let you go. If she doesn't win the Tony this year I will be disappointed. She carries the show. Hugh Dancy (Mr. Claire Danes) is also giving a strong performace (even though Ms. Arianda overshadows him). He's a talented actor, and he doesn't disappoint here. The two have great chemistry together. The play is interesting and ambiguous, and it has it's imperfections, but it works because of the acting (I can't imagine anyone else playing Vonda). I can't wait to see what Nina Arianda does next, because based on her first two Broadway appearances, she's a true star.

Other Desert Cities
Nicole got me tickets for this show for my birthday, and I was really excited to see it, largely because I'm a big Rachel Griffiths fan (from Six Feet Under, Brothers & Sisters, and Muriel's Wedding). The play was written by Jon Robin Baitz (creator of Brothers & Sisters) and features features a stellar cast made up of Rachel Griffiths, Stockard Channing, Judith Light, Stacy Keach, and Thomas Sadoski. Our seats were in the front row, and because the stage is so low it was the absolute perfect place to sit. This is the best play I've seen this season. It premiered last season off-Broadway (with a highly praised sold-out run) and transferred to Broadway this month (with Ms. Griffiths and Ms. Light joining the cast). Here's the New York Times review of the original production (it's a rave). I'm so glad I was able to see this play. It's a complex, beautifully written portrait of a family. The actors pour their hearts into it; everyone onstage is crying by the end (real crying). Rachel Griffiths has a devestating meltdown onstage and you can see, hear, and feel her pain (and somehow, five minutes later, she's grinning like crazy during the curtain call). This is a lovely play.

Hugh Jackman, Back on Broadway
This show is the new hot ticket of the season, and I definitely understand why. It's Hugh Jackman's solo show. There aren't very many multi-talented leading men left, but Hugh Jackman is one of them. He can sing, he can dance, he can charm the pants off of an audience. He's so charismatic that it's a joy to sit and let him entertain you for two hours. The show includes a wide variety of songs, including numbers from the musicals Oklahoma!, Carousel, The Music Man (he sings all eight parts of "Rock Island" at once, even rapping part of it, and it's amazing), Guys and Dolls, Singing in the Rain, and Easter Parade, as well as songs like "Mack the Knife" and my personal favorite, "Somewhere Over the Rainbow." There's a New York medley as well. He interacts with the audience and is just wonderful. I hope they film this one (I suspect they might). It's two hours of escapist fun.

We Live Here
Nicole and I saw this because we were interested to see Zoe Kazan's writing skills (she's an actress whom we've seen act in many plays). The play isn't bad. I had a hard time liking the characters, though, which meant I didn't care enough about them to really be invested in what happened to them. The dialogue is realistic and a couple scenes resonated with me, but overall it needs more work. Kazan has promise, though.

Overall it was a fabulous week of theatre.
I should probably write a Duran Duran review as well. Later this week.

"Darken the city, night is a wire. Steam in the subway, earth is a afire." ~duran duran


I love fall. I love feeling perfectly comfortable while walking around the city in jeans and a hoodie or a light jacket. I love seeing the leaves in Central Park start to change. But most of all, I love everything pumpkin. I love Dunkin Donuts' pumpkin muffins. And Jamba Juice's Pumpkin Smash (oh my goodness, it's pure deliciousness through a straw). Now that I've just about used up all the money on my Dunkin Donuts' gift card on pumpkin muffins, I made my own. They're almost as good (but not quite). I also made pumpkin pie shooters (basically pumpkin pie in a shotglass; no crust, no baking, super easy to make and super yummy). So yeah, I'm definitely enjoying fall.

And now for a quick picspam.

I don't think you've seen my babies in awhile. They're just as lovey as ever. Here they are cuddling and cleaning:

Jasper has a new funny habit; he climbs on my back and shoulders whenever he can. He has fallen off me, and he still keeps doing it. It's bizarre.

Finally, this is another one of the reasons I love living New York. I looked at my outfit this evening and realized that before I moved to New York, I would probably never have gone out in public wearing what I'm wearing now. Pink cropped sweatpants? Gold glitter TOMS? I probably would have felt ridiculous. But now, I didn't think twice about it. First of all, when walking anywhere in New York, even just down the block, you're sure to run into someone who's wearing a crazier outfit than you are. Second of all, no one cares. It's a wonderful feeling.

Tomorrow my awesome friend Bill is taking me to see Duran Duran at Madison Square Garden. Pretty freakin' amazing, right? I think I'll wear my gold glitter TOMS.

"Eyes wide open, naked as we came. One will spread our ashes round the yard." ~iron & wine


Just a quick movie review and another random comment today, as well as some quality Iron & Wine above (I've been listening to them since their concert last week). Scroll down for yesterday's Broadway/TV post.

Martha Marcy May Marlene
This is my kind of movie. It's quiet, authentic, thrilling, ambiguous, complex, and captivating. It reminds me of Winter's Bone (and not just because John Hawkes is in it), and I hope it receives the attention that Winter's Bone received come awards season (you know how I loved Winter's Bone). Elizabeth Olsen at least deserves an Oscar nomination (and based on the other female performances I've seen so far this year, I'd love to see her win). While her older sisters spent their childhoods building an empire, Elizabeth was apparently laying low and just waiting to unleash that talent. She's absolutely fantastic in this movie. She masters her character's transformation from naive and vulnerable to terrified and broken. Sean Durkin (writer/director) does a great job of transitioning seamlessly from the past to the present. This movie will grab you and won't let you go, even after you've left the theater.



Finally, I just have to comment on this piece of TV news. Apparently HBO is adapting the novel Swamplandia! into a half-hour comedy TV show. I discovered this piece of information from a link on the AOL homepage, which read, "Children's Book Gets Its Own TV Show." Really?! Really?! Obviously the person writing the article (or the person writing the title of the link, because I don't know if they're the same person) didn't read the book, because it is most definitely NOT a children's book. It's actually quite disturbing (at least it was to me). The idea of it being turned into a half-hour comedy irks me. I could see it as a movie, but I don't like this comedy TV show idea. I get very protective of books that I love being adapted to the screen, so maybe I'm just being close-minded, but I'm very wary of this idea. I guess we'll see what happens.

"I'm just a little bit caught in the middle, life is a maze and love is a riddle. I don't know where to go, can't do it alone, I've tried and I don't know why." ~lenka


Today I've got some entertainment updates; first Broadway, then TV.

I've seen a few plays recently, but I'm just going to mention one for now. Broadway fans have been going crazy arguing over the new revival of Godspell, and I had to see what all the fuss was about. Going into it, I was familiar with some of the music but I had never seen a production of the show before (and I've never seen the movie). I wish I had some previous version to which I can compare this production, because I'm not sure what to think.

First of all, the show is being performed at Circle in the Square, which is theatre in the round. They do a good job of using the space (theatre in the round is not easy; I've seen other shows at that theatre that were not nearly as successful at adapting to the space). I won a lotto seat, which meant I was sitting on a cushion right next to the stage. The lotto winners work for their seats; we were part of the show. We had to hold up our cushions to help create background scenery at one point. Hunter Parrish gave us high fives (I'm a fan of Weeds and I adore him, so that was exciting). Cast members whispered to us. It was fun to be a part of the action.

As for the show, there are some interesting choices being made. "Day By Day" is sung as they're dancing the Electric Slide, and the chicken dance and the macarena both pop up, as well as jokes about facebook, Steve Jobs, Charlie Sheen, and Occupy Wall Street. I think they're still working out the improv bits and the contemporary references. There are mini-trampolines and a pool of water. It does get a bit ridiculous (veering into "so bad it's good" territory), but I also thought some parts were well done. I think it helped that my lotto section was full of some very enthusiastic people, which I think can really make a difference. I actually enjoyed myself very much. I love Hunter Parrish, and although I think he's still feeling out the role of Jesus, I was impressed with his performance (that may be partly because I'm a huge fan of his). Anyway, I don't think this show is nearly as bad as some people are saying.

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We're about a month into the new TV season, so I thought I'd post an update on what I'm watching. These are the new shows I'm sticking with:

Homeland
If there was ever any doubt in anyone's mind that Claire Danes is a brilliant actress (maybe you haven't seen My So-Called Life or Temple Grandin), Homeland should clear up those doubts. Claire Danes is amazing. She basically won every award she was eligible for last year (the Emmy, Golden Globe, SAG Award) for Temple Grandin (go see it now if you haven't already), and I hope she wins a bunch more for Homeland. Her character (Carrie) is obsessive and not exactly likeable, but Danes throws herself into the role so completely (both physically and emotionally) that I feel like I've known Carrie forever, and I sympathize with her. Damian Lewis is also giving a wonderful performance. Even though the two main characters, Carrie and Brody, have interacted only once in a very short meeting, I feel the connections between the two, and I think that's because of the performances. They're both very physical performances (a lot is conveyed in silence), and both Danes and Lewis manage to make the audience connect to their characters, even though they're both mysterious and untrustworthy and flawed. The writing in this show is very strong so far. The main storyline is slowly building as the audience is kept guessing, and subplots (that may be related) are deftly being weaved into the story. I'm not entirely sure what the truth is, and I want to know more. So, three episodes in, I'm loving this show.

Revenge
Yes, it's dramatic and soapy and juicy and I love it. Emily VanCamp and Madeleine Stowe are giving great performances, making me love their characters despite their awful actions. I actually really like both Daniel (Joshua Bowman) and Jack (Nick Wechsler), so I'm torn as to whom I want to see Emily in a relationship with (although the first five minutes of the pilot pretty much made my preference moot). I like that triangle. I'm interested to see what happens when the action catches up to the flashback that opened the show. Ooh, and I love Gabriel Mann (Nolan)! He's a perfect (nuisance) sidekick for Emily.

Pan Am
I think this show has really been improving since the pilot. We've learned more about the girls; getting a glimpse at Colette's tragic past (and how it's still haunting her), seeing Maggie's passion for politics, and learning more about Kate and Laura's family history has made it easier to connect to the characters. I've liked seeing Kate's spy career develop, and I'm curious to see where her relationship with Laura goes next (the last scene of this week's episode was heartbreaking). I hope the ratings for this show pick up, because I do want to see it continue.

Okay, that's all for now.

"I was walking far from home, where the names were not burned along the wall. Saw a building high as heaven, but the door was so small, door was so small. I saw rainclouds, little babies, and a bridge that had tumbled to the ground. I saw sinners making music, I've dreamt of that sound, dreamt of that sound." ~iron & wine

Oh, Sam Beam. I love you and your awesome beard. Time for a concert review. Iron & Wine were full of surprises last night, and overall I had a lot of fun. We got a spot in the front row, which was perfect (as you can see from my photo above). Sam is hilarious; he's very good at stage banter and interacting with the crowd. Iron & Wine vary their setlists like crazy, so there's no way to predict what you'll hear when you go to one of their concerts. I was hoping for a few songs but I didn't get my hopes up. Sam played my two favorite songs from Kiss Each Other Clean, his newest album, but he didn't play any of my older favorites. I was okay with that because I got to hear "Walking Far From Home," and that was enough for me.

Iron & Wine is another band whose sound has changed with their newest album (just like The Felice Brothers, whom I wrote about recently). I'm honestly not sure I like the new direction (in fact, I think I don't). There were twelve people onstage at the concert, and if you know Iron & Wine from it's earliest state, you know that's a big change. A few new songs, though, like "Walking Far From Home," remind me of the simplicity and beauty of Sam's earlier music.

I was thrilled to see one of those extra people onstage; Marketa Irglova lent her voice! Marketa is in the band The Swell Season, and she's also the star of one of my absolute favorite movies, Once. She won an Oscar for the song "Falling Slowly" from that film (I loved when Jon Stewart brought her back onstage to give her acceptance speech after she was cut off). Even cooler than hearing Marketa sing last night was the fact that she gave me a setlist after the show! Being handed a setlist by an artist you greatly admire is pretty freakin' awesome. So that definitely made my night.

Here are two videos I took, of my two favorite songs from Kiss Each Other Clean. Watch them. Seriously, you'll enjoy them. Marketa is on the right side of the screen. I recorded audio of the whole show and video of a good portion of it, so I might share more later.

Walking Far From Home:


Half Moon: